Final Mixing
Final mixing is so hard sometimes because you have to be creative musically and then after you have to be creative technically. This week I mix one of Eve Soto tracks along with Soaq’s tracks. It came out very good…
Final mixing is so hard sometimes because you have to be creative musically and then after you have to be creative technically. This week I mix one of Eve Soto tracks along with Soaq’s tracks. It came out very good…

When mixing dubstep, club records and hip-hop these days I stay playing in the 40Hz range. It’s hard to get separation at that range so I key on one instrument and I let it be dominant in the mix. Sometimes…

$150,000 per music artist will secure on a independent level that I can properly promote, market and brand. I use to not know what to do with the money but from experience I know how to take that $150,000 and…
I try to find creative ways in marketing but sooner or later you hit a wall. Usually when you drop and EP or a CD you may get a spike in sales at the beginning then there’s a sharp drop…

“Young, Wild And Free” is a track I produced for Grandma Leslyn
[soundcloud url=”http://api.soundcloud.com/tracks/44564204″ iframe=”true” /]
Sefu Kalefe is an amazing poet, this week we are working hard on the “Ain’t Got Songs For You” Video took us all around the NYC. Coney Island, Brooklyn, Queens. A long shoot but just the rough cuts look amazing.
I like the way my most recent videos came out. Adolph Johns in the “They Want Me Dead” video and Eve Soto in “I’ll Never Stop Loving You”. I’m becoming more in depth with setting up the shot and concepts.…
When your working on a music project it pays to be focused. Especially when a million and one things are going on around you. Sometimes it seems like chaos, I’d like to think of it as controlled chaos.
I’ve come to the conclusion that locations is a high priority when it comes to filming anything. When directing videos it makes your life so much simpler in the editing process. I try to keep things interesting when cutting the…